Finished reading Salman Rushdie's autobiography "Joseph
Anton: A Memoir". Rushdie recounts his life (especially the extraordinary
life under the threat of fatwa) in this tome that is more than 600 pages long. In
1989, after the publication of his notorious novel "The Satanic
Verses", Ayatollah Khomeini of Iran issued the murderous fatwa against
Rushdie charging the novel to be blasphemous of Prophet Mohammad. Now, I don't
know whether the novel hurt Muslims' religious feelings or not because it was
such a difficult and boring book that even after reading it twice I could not
comprehend many things. But the faithful got hurt and Rushdie defended his
attack against the faith on the basis of free speech. I, for one, don't
subscribe to this defense as art has no right to attack the faith. (Rushdie
takes arguments from that new global religion, "human rights", for
his defense.) But Muslim response was equally deplorable as a person cannot be
killed just because he wrote something unpalatable. The raising of the bounty
money for Rushdie's head every year as shown in the memoir comes across as
gross. Rushdie loves flowery language and likes to show off his command over vocabulary
in his novels (calls his works, instances of pyrotechnics) and this is seen in
the memoir as well. He puts French phrases in plenty. But the book overall is
easy to read unlike some of his novels. He flaunts his egoism in the memoir to
epic proportions and gives boring details of everyday life at times but at the
same time comes across as a brilliant writer that he is by depicting
interesting incidents and writing some killer lines. He quotes surrealists at
one point by saying that the world itself is extraordinary but we are so
habituated to it that we feel it's ordinary. The artist's duty is to wipe off
the patina of ordinariness of the world and show all its true extraordinary
nature. These lines pleased me a lot. And Rushdie's unconditional affection for
his son Zafar is also laudable and at point he forgoes his atheism in
describing his son as "god". His moments with his dying father Anis
are warmly described. His description of India is also full of his love towards
his birth nation. His life under the protection team with many "cloak and
dagger" moments, his feeling of freedom in the US, his assumption of a new
identity ("Joseph Anton" in honor of Joseph Conrad and Anton
Chekhov), his bittersweet relationship with his ex-wives, death by diseases of
his close friends (wing-beating sounds of death angels), his defense by many
prominent writers and politicians—all these get ample of space in the book. Assuming
a new name and forgoing his old identity reflects the themes of his own novels
which portray migrants' uprooted life in cosmopolitan cities. Rushdie is a good
humorist and he has used his talent in the memoir as well. His description of a
Pakistani film that made him the chief villain is very funny. His love for
movies is expressed here and there as the threats to his life are compared with
apocalyptic blackbirds in Alfred Hitchcock's great movie "The Birds".
Brian Grazer, a successful Hollywood movie producer, asks him whether he is
interested in making a movie out of his life. Anyway, I liked Rushdie's memoir
but felt that it could have been edited and shortened.
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